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Fiddler magazine review-'Learn to Play Irish Trad Fiddle'

Tuesday, October 8, 2013

After several requests, I'm sharing here the full review by Paul Anastaio in the current Fall '13 issue of Fiddler magazine for my book, Learn to Play Irish Trad Fiddle. I admit I am very excited by this positive review!

The Fiddle Center presents: Learn to Play Irish Trad Fiddle, by Tom Morley [Available from www.IrishTradFiddle.com]

Many years ago I had the pleasure of getting to know fiddler Tom Morley when he was part of a fine swing combo known as 78 RPM. Now Tom has re-appeared on the scene as the author of the above-mentioned book and CD, and it’s clear that he really knows his onions as far as Irish fiddling is concerned.

There are many books available today that present traditional Irish fiddle. There are voluminous collections bereft of bowings and underlying chords. There are also books that profess to get fiddlers started from scratch, sometimes presenting dubious technique that students may regret having learned as they advance.

Tom’s book assumes that the reader already has some basic knowledge as far as getting around a violin is concerned. He starts out with a basic fingerboard map and a few scales. Commendably, he does not only present these scales from root to root, but includes what he calls the “leftover notes” found below and above the roots as well.

A brief discussion of counting rhythms follows, and then Tom takes us off into tune-land. Each of the 50 tunes in the book is also recorded on the accompanying CD, so ear-learners, note-readers, and everybody in between can learn. The tunes are carefully graded, and Tom takes pains to initially present bare-bones versions, with ornaments introduced later. He also gently nags folks into using the under-utilized fourth finger when necessary.

Two things about Tom’s book that I think are particularly good are the fact that bowings for each tune are included. In the past I have encountered books that claim to include tunes that are “partially bowed.” That’s kinda like being “a little bit pregnant.” It just doesn’t work that way. When two bars with an odd number of bow strokes are presented in his book, Tom takes pains to mark the bowings that allow the player to get back on the “good foot,” meaning the down bow at the top of a bar. His bowings really work.

A second aspect of the book that I really enjoy are the many “helpful hints” and “learn more about” sections. These might shed light on a particular bowing pattern or explain the origin of a tune’s name. By the end of the book, I felt as though I had been given a little mini-history lesson about Ireland and its music. His book ends with a long list of recommended reading, listening, and websites.

My cap is off to Tom for writing and recording an excellent introduction to Irish traditional fiddling. Anyone interested in exploring this fascinating style would do well to pick up a copy of his book.

–– Paul Anastasio, Fiddler magazine Fall 2013

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www.irishtradfiddle.com
Playing Since: 1960
Experience Level: Expert/Professional

Interests:
[Teaching] [Jamming] [Socializing] [Helping]

Occupation: professional violinist/fiddler

Gender: Male
Age: 66

My Instruments:
symphony/recording violin: 1925 Ernest Heinrich Roth, Markneukirchen Germany
bows by N. D. Crowder, Nashville TN
stage violin: Barcus Berry electric (endorser for Barcus-Berry)

Favorite Bands/Musicians:
Celtic: Altan, Lunasa, Solas, Wake The Dead, Brock McGuire Band, Kevin Burke, Martin Hayes, Liz Carroll, Aladair Fraser & Natalie Haas, Manus McGuire
Acoustic/Bluegrass: Nickel Creek, Crooked Still, The Greencards, Alison Krauss & Union Station, Infamous Stringdusters, Sam Bush, Aubrey Haynie, Jay Ungar, Bruce Molsky

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Profile Info:
Visible to: Public
Created 4/6/2008
Last Visit 5/28/2014

As a classical, Celtic, and folk musician and educator, Tom is one of the most visible violinists on the Gulf Coast. Classically trained with a degree in music education, Tom has earned a living with his violin in every musical direction. He has played professionally in Celtic, Cajun, folk, bluegrass, classical, swing, jazz, and country styles (earning a gold album for his work with ‘new traditionalist’ country artist John Anderson). His recently released solo CD, The Raven’s Wing, showcases his playing in many of these genres. As an Irish/Celtic fiddler, Tom has made multiple trips to Ireland to perform and research traditional Irish music, playing alongside legendary musicians including Manus McGuire, Kevin Burke, and Liz Carroll. He leads a series of successful Irish Fiddle workshops and Irish Trad Slow Sessions throughout the southeast and taught Irish Fiddle as a faculty member of the Alabama Folk School and the prestigious Mark O’Connor String Method Camp (in Charleston, SC in Aug. 2011 &2012). He is co-founder of Mithril, one of the premiere Celtic/World music groups on the gulf coast, and has toured with that group throughout the US, often featured as guest artists with symphony orchestras. Tom is a certified Mark O’Connor String Method teacher and an endorser for Barcus-Berry electric violins. He has recently self-published LEARN TO PLAY IRISH TRAD FIDDLE, a book/cd set. Learn more about the book at the companion website, www.irishtradfiddle.com. And read more about Tom at www.thefiddlecenter.com.

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