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Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link: http://www.fiddlehangout.com/archive/60272
UsuallyPickin - Posted - 08/16/2025: 05:06:08
The Muddy Slope. . . . . once again, my sense of humor escapes me......
DougD - Posted - 08/16/2025: 07:08:35
Yes, its a reel, but it took me awhile to "catch" it. She's not the most rhythmic player. Kind of reminds me of something else, but I can't quite place it. Happens a lot these days.
Edited by - DougD on 08/16/2025 07:12:24
pete_fiddle - Posted - 08/16/2025: 12:18:47
I think Rich is Joking, if you want a bit bit more rhythm here's the same tune with banjo...And a Bodhran later on.
Reckon its meant to be a bit "slip"...pery
but yeah it's a reel
Edited by - pete_fiddle on 08/16/2025 12:33:35
martyjoe - Posted - 08/16/2025: 13:21:27
One thing for sure : it’s reely good!!! Both the composition and the playing.
DougD - Posted - 08/16/2025: 17:53:18
Here's another "slippery" one you might like. No one is injured, but there's some nice "seconding" and light as a feather dancing:
youtu.be/gk8gfmuPtJo?feature=shared
DougD - Posted - 08/17/2025: 08:36:49
I was a little surprised I hadn't heard of this person, but its a big country. In any case, it seems in addition to playing the fiddle she's a singer and songwriter, formerly maybe more "folk," but seemingly now more "indie rock" or "alt Americana (?)." Here's an example of her work from a decade or so ago: broadjam.com/songs/saramilonov...ee-lights
BTW, she spells her last name "Milonovich," if you want to look for more of her music.
The Violin Beautiful - Posted - 08/17/2025: 10:04:24
I think one of her videos popped up as a YouTube suggestion a while back. Her tune is not a slip jig (I think Richard was probably just making a pun as well, anyway) but it has a number of slides intended to sound like sliding around in the mud. While the slides are sometimes played with a ritard, the playing is rhythmically tight and the tube is fairly straightforward. There are syncopations throughout that lean across bar lines, but they’re carried out in time and they represent a common feature of Celtic fiddling. Old Time players tend not to use syncopated ties that cross measured, so their appearance in a tune can be confusing for them. I’ve said it before, but a player once told me that the secret to making tunes sound Irish was to start playing so that the bow changes didn’t all line up with the beginnings of measures.
I think it’s a fine tune.
Brian Wood - Posted - 08/17/2025: 10:26:08
I notice many younger old-time players do cross the bar lines for syncopation, and I play many tunes that way myself. Betse Ellis is a good example of this. I don't spend much time listening to the older recordings, but what you say makes me wonder if this anticipated-attack style of phrasing is a modern trend.
I also think the tune here is very good.
Edited by - Brian Wood on 08/17/2025 10:28:20
pete_fiddle - Posted - 08/17/2025: 11:32:24
i just like her attitude toward fiddling, and her quirky American, Irish, Folk, Rock compositions and unique and seemingly (to me ) natural style. Some of her fiddle breaks are stunning. Having played since she was 4 yrs old has its advantages also. I first heard her about 10 yrs ago. My ears instantly pricked up. I think "Original" would describe her playing. More power to her elbow.
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