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Jul 16, 2024 - 2:07:15 PM
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396 posts since 12/2/2013

Here's a heads up to a post I put up on BHO about all the parts being tabbed out for the above mentioned F&S album. The post was aimed at the banjo but the fiddle parts are there also. I will be putting the PDF's of those parts here on FHO.

https://www.banjohangout.org/topic/398370

I'll start with Sally Goodwin


Jul 16, 2024 - 7:31:22 PM

6652 posts since 9/26/2008

Very nice! Thanks for sharing.

Jul 18, 2024 - 12:20 PM

102 posts since 4/4/2023

Good fiddle breaks on that album I still recall after so many hours of listening to it. Who played them, Paul Warren or Benny Martin?

Jul 20, 2024 - 11:01:38 AM

102 posts since 4/4/2023

quote:
Originally posted by Saltcured

Good fiddle breaks on that album I still recall after so many hours of listening to it. Who played them, Paul Warren or Benny Martin?


Forgot to mention I'm grateful to whichever one of them, or whoever it was came up with my favorite fiddle break on the album, the one for Ground Speed. Full of licks that work just about anywhere 

Jul 20, 2024 - 1:00:59 PM
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DougD

USA

12195 posts since 12/2/2007

The fiddle break on "Groundspeed" (and probably the rest of that album) was played by Paul Warren (January, 1959). If you're curious about things like this, I recommend Praguefrank's wonderful online country music discography, by far the most detailed available.

Jul 20, 2024 - 2:05:18 PM

102 posts since 4/4/2023

Thanks Doug, I'll look at it. You know you gotta admire those early fiddle players having to come up with their own breaks for Earl's - and
Don Reno's for that matter - banjer tunes.

Jul 20, 2024 - 2:22:40 PM
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DougD

USA

12195 posts since 12/2/2007

Yes, I wanted to mention that too, but forgot. Three finger banjo tunes are just not melodic like fiddle tunes. I really admire Benny Sims for coming up with something for "Foggy Mountain Breakdown."
I had a little bit similar situation in the years I played fiddle with Lee Sexton, especially on his two finger style numbers. What I didn't realize was that some of those were his versions of Arthur Smith tunes I just wasn't familiar with. If I'd just been a little more conscientious (and a lot better fiddler) I could have gone back to the source for fiddle ideas. As it was I sometimes just played rhythm mandolin.

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