DVD-quality lessons (including tabs/sheet music) available for immediate viewing on any device.
Take your playing to the next level with the help of a local or online fiddle teacher.
Monthly newsletter includes free lessons, favorite member content, fiddle news and more.
Tunes are great. Great fun. But all I need is to hear that first double-stop lock in with the chord that's being played. Oh, man! I feel like butter melting into a pancake. When everybody else has been and is playing some tune. It doesn't matter the tune. That first moment where you can hear that blend. Make the hairs stand up to think about it. Boy oh boy.
Have y'all got a moment? Maybe it was. Maybe it is. Maybe it's coming up?
To me it happens with the iv chord...there are places where the iv chord just melts down the whole thing and puts you in to what my old friends from back home used to call, "A state of strum," lol...we all played guitar so that was our language...but I still call it that while playing the fiddle...and yep...always a nice thing to go into a state of philosophizing too...lol.
Edited by - groundhogpeggy on 01/12/2022 06:57:39
quote:
Originally posted by groundhogpeggyTo me it happens with the iv chord...there are places where the iv chord just melts down the whole thing and puts you in to what my old friends from back home used to call, "A state of strum," lol...we all played guitar so that was our language...but I still call it that while playing the fiddle...and yep...always a nice thing to go into a state of philosophizing too...lol.
So so true!
There are moments where the overtones of a violin just ring out so beautifully that it grabs you by the very soul. When I was in college I used to go into the great hall late at night and practice. It was such a wonderful place to play, and time just seemed to stand still. I’d go in planning to play for 30 minutes and come out four hours later.
Also while I was in college, I sang in an eight-piece Renaissance chamber group. We rehearsed and performed in the school’s pendulum pit. The whole room was marble, and the chords would just ring out so devastatingly when everyone was really keyed in. Sometimes we’d just pick a chord and sing it for a couple minutes and take turns running up to the highest level to let the overtones just wash over us. There’s something that stirs the soul in a primeval way in medieval plainchant and Renaissance polyphony.
I’ve had a lot of moments like that playing chamber music and with some of my favorite accompanists.
“Where words fail, music speaks.”
-Hans Christian Andersen
Edited by - The Violin Beautiful on 01/12/2022 18:02:19
Terms of Use | Privacy Policy | Copyright 2022 Fiddle Hangout. All Rights Reserved.