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fiddlepogo
 United States
Joined 6/27/2007 10221 Posts |
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Did any mention the Varsovienne???
"Put Your Little Foot Right Here" is a varsovienne, not a waltz. |
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Sue B.
 United States
Joined 8/29/2008 1043 Posts |
05/13/2012 16:10:03
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Yes, there are some Cajun tunes that you could argue are like 9/8 time. The triplet is a common figure in Cajun playing. So a tune that goes ONE two-la-la THREE-la-la (or the triplet on any two of the beats) feels 9/8-ish. Agree that the THREE in a Cajun waltz attaches to the ONE. You could as well call the beats of some waltzes THREE - ONE - two - THREE - ONE as what I wrote first. I know mazurkas by Varise Conner, and I think Canray Fontenot. I have a suspicion that other Cajun mazurkas may hide in tunes now called waltzes. |
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Castagno
 Brazil
Joined 11/16/2012 3 Posts |
11/16/2012 06:50:08
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Hi folks!! I need help with a doubt. I realy love the OOk Pik waltz. i've been listening some variations of this music in youtube but I do not have the partiture. I know the song was made by Frankie Rodgers but there are many variations. Some of them are beautiful. how can I get the partiture? is there some accurate video lesson about?
Sorry my english. I'm from Brazil and I love fiddlering, but here is not so popular.
thank's
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Castagno
 Brazil
Joined 11/16/2012 3 Posts |
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Peghead
 United States
Joined 1/21/2009 1079 Posts |
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Look for Art Stamper and Aubrie Haney, they both play it on albums. I prefer the chords in the Haney version. I don't know if it's been written anywhere.
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fiddlepogo
 United States
Joined 6/27/2007 10221 Posts |
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fiddlepogo
 United States
Joined 6/27/2007 10221 Posts |
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quote:
Originally posted by mad baloney
quote:
Originally posted by fiddlepogo
Did any mention the Varsovienne???
"Put Your Little Foot Right Here" is a varsovienne, not a waltz.
so is the "in china they never eat chile"
ya know, Aye aye aye aye, in china they never eat chili, so sing me one more verse that's worse than the first & waltz me around again willy!"
Ummmm.... I THINK the real name for that is "Cielito Lindo".
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Edited by - fiddlepogo on 11/30/2012 13:56:11 |
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Castagno
 Brazil
Joined 11/16/2012 3 Posts |
12/04/2012 05:12:52
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quote:
Originally posted by fiddlepogo
quote:
Originally posted by Castagno
Hi folks!! I need help with a doubt. I realy love the OOk Pik waltz. i've been listening some variations of this music in youtube but I do not have the partiture. I know the song was made by Frankie Rodgers but there are many variations. Some of them are beautiful. how can I get the partiture? is there some accurate video lesson about?
Sorry my english. I'm from Brazil and I love fiddlering, but here is not so popular.
thank's
Partiture?
Do you mean "notation" or "sheet music"???
http://www.folksociety.org/slowjam/ookpik.pdf
If you mean tablature, maybe this mandolin tablature will help:
http://farm4.static.flickr.com/3553/3573985564_daa04402d3_o.jpg
Actually, there's lots of good resources in the Mandolin Cafe thread:
http://www.mandolincafe.com/forum/group.php?do=discuss&group=&discussionid=313
In fact is sheet music. Thank you very much!!
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Minim Miser
 Joined 7/6/2010 90 Posts |
12/05/2012 14:01:39
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Interesting thread. I've just been struggling with the Playford tune "Hunt the Squiril", published in 1709 well before the waltz came into being. A lot of people don't like it, and I can see why. The way it's normally played these days it's a touch brash and squawky and certainly seems to lack much subtlety (it's normally written in 6/8 and played like a rather half-hearted jig I'd say). So I was trying to find a way of playing it nicely.
After looking out the original version and finding a few of the note lengths were different to the modern version (it was also in 6/4 time), I made a MIDI file to see what it sounded like. Well I was pretty amazed - it's a funky syncopated waltz rhythm that just makes you want to dance. Totally unlike the way it's played these days. Now I just have to get my fiddling to sound like that!
I should say this isn't the first old tune I've had this experience with. Often you find unusual time signatures in old music; there are a lot of English tunes in 3/2 time, for example and sometimes time signatures alternate (between 3/4 and 6/8 for instance). They're probably trying to tell you something about the rhythm, but it's often not clear what. Probably it means you're not playing it right (!) but I suspect the interpretation of time signatures may have changed over the years so it's not always easy to work out how it should sound.
In any case, I think it's well worth persevering to understand these rhythms and not just fit them into "waltz" or "jig" categories. Even if they are written in 3/4 time, that may just be notational convenience and not necessarily reflect the way they should be played.
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